One studio for the whole picture: modeling, animation, effects, live action, stills and finishing. Most projects use two or three of these together.
Photoreal models, materials and lighting built so a product reads clearly on a phone screen and holds up on a wall-sized display. Work starts from your CAD and brand assets, or from scratch.
Type, data and brand systems in motion. Built for fast iteration, so a direction can be tested and adjusted before a frame is committed to final render.
Fire, smoke, liquid and destruction, plus the quieter work that makes a shot believable: cleanup, tracking, set extension and CG integration.
Live-action capture on location or in studio, from a single interview to multi-day event coverage, edited and finished alongside the CG so the whole piece feels like one thing.
Studio and on-location stills that can stand alone or feed the motion work, including composites that put a real product into a scene that never existed.
Unreal Engine and real-time rendering where they genuinely help: fast look development, previsualization, camera exploration and interactive or looping content for screens and events.
Four stages, in order, with something to look at at the end of each one.
Goal, audience, deadline and where the piece will live. A one-page treatment comes back with a recommended approach.
Styleframes, boards and look development. Tone, pacing and scope get settled here, before render time is spent.
Modeling, animation, capture, effects and edit, with work-in-progress posted on a regular rhythm rather than on request.
Final masters in the specs your platforms need, plus cutdowns, verticals and stills, and source files when you want them.
Describe the outcome and we will map it to the shortest path that gets there.
